{"id":420,"date":"2025-03-30T20:04:33","date_gmt":"2025-03-30T20:04:33","guid":{"rendered":"https:\/\/berlinerklavierfesttage.com\/?page_id=420"},"modified":"2025-03-30T20:04:34","modified_gmt":"2025-03-30T20:04:34","slug":"katia-skanavi","status":"publish","type":"page","link":"https:\/\/berlinerklavierfesttage.com\/de\/katia-skanavi","title":{"rendered":"Katia Skanavi"},"content":{"rendered":"<div class=\"wp-block-uagb-container uagb-block-fnkji8sw alignfull uagb-is-root-container\"><div class=\"uagb-container-inner-blocks-wrap\">\n<div class=\"wp-block-uagb-info-box uagb-block-x0lkfvsn uagb-infobox__content-wrap  uagb-infobox-icon-above-title uagb-infobox-image-valign-top\"><div class=\"uagb-ifb-content\"><div class=\"uagb-ifb-title-wrap\"><h1 class=\"uagb-ifb-title\">Katia Skanavi<\/h1><\/div><p class=\"uagb-ifb-desc\">Pianist Katia Skanavi\u2019s combination of Greek-Russian cultural roots and Central European musical traditions results in music-making with a unique blend of spontaneity, intuition and erudition.<br>A Greek citizen born in the former Soviet Union, Skanavi is based in Moscow and Berlin. Equally active as a soloist and chamber music partner, she has appeared worldwide with conductors such as James Conlon, Kurt Masur, Sir Yehudi Menuhin and Jaap van Zweden.<br>Skanavi collaborated with the major orchestras in Russia, and internationally with the DSO Berlin, Salzburg Camerata, Kremerata Baltica, Orchestre National de France, as well as with the symphony orchestras of Cincinnati, Dallas, Indianapolis, San Francisco and Tokyo. She has presented recital programs in<br>Amsterdam, London, Madrid, Vienna and New York. Gidon Kremer has partnered with Katia Skanavi in concert duo performances and on recording and she has played sonatas with Leonidas Kavakos and Yuri Bashmet.<br>Katia Skanavi\u2019s broad repertoire ranges from the Baroque era and across the Romantic age to collaborations with living composers. She has worked with Arvo P\u00e4rt, Alfred Schnittke, J\u00f6rg Widmann, Carl Vine and John Corigliano receiving advice from the composers.<br>Katia Skanavi\u2019s discography includes an all-Chopin recital on the Pro Piano label, selected by Gramophone magazine as their record of the month. Her most recent concerto recording with Brussels Philharmonic is Rachmaninoff\u2019s Rhapsody on a theme by Paganini and the first piano concerto. Preferring a concert atmosphere to the studio, many of Skanavi\u2019s live recitals have been released on the Lyrinx label garnering critical praise.<br>Interested in cross-genre collaborations, Katia Skanavi has been involved in creating theater<br>works combining poetry, music, video projections and dance. Her most recent production with actress Chulpan Khamatova and dancer Vladimir Varnava is part of the season repertoire at the legendary \u201cSovremennik\u2019 drama theatre in Moscow.<br>Katia Skanavi began her musical studies in Moscow at the Gnessin School for Gifted Children with Tatiana Zelikman, and at the age of 12 made her debut in the Grand Hall of the Moscow Tchaikovsky Conservatory, performing Kabalevsky\u02bcs third piano concerto under the composer\u02bcs direction. On her 18th birthday she became a multiple prize-winner in the finals of the Marguerite Long-Jacques Thibaud Competition in Paris. Early on her concert career was supported by further prizes at the Van Cliburn competition in Fort Worth and the Grand Prix Maria Callas in Athens.<br>Continuing her studies at the Conservatoire National in Paris with Bruno Rigutto, Cleveland Institute of Music with Sergey Babayan, Katia Skanavi holds a Doctorate Degree from Tchaikovsky Conservatory where she studied with Vladimir Krainev and Vera Gornostaeva. Skanavi\u2019s chosen PhD topic was the \u00abInfluence of Alfred Cortot on French piano tradition\u00bb. She believes in the importance of pedagogy in a life of a concert musician and teaches piano and chamber music at international masterclasses and at the Moscow Conservatory.<br><br><\/p><\/div><\/div>\n\n\n\n<div class=\"wp-block-uagb-image alignleft uagb-block-qplssr2o wp-block-uagb-image--layout-default wp-block-uagb-image--effect-static wp-block-uagb-image--align-left\"><figure class=\"wp-block-uagb-image__figure\"><img decoding=\"async\" srcset=\"https:\/\/berlinerklavierfesttage.com\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-02-12-um-22.45.57-1024x979.png ,https:\/\/berlinerklavierfesttage.com\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-02-12-um-22.45.57.png 780w, https:\/\/berlinerklavierfesttage.com\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-02-12-um-22.45.57.png 360w\" sizes=\"auto, (max-width: 480px) 150px\" src=\"https:\/\/berlinerklavierfesttage.com\/wp-content\/uploads\/2025\/03\/Bildschirmfoto-2025-02-12-um-22.45.57-1024x979.png\" alt=\"\" class=\"uag-image-374\" width=\"600\" height=\"800\" title=\"Bildschirmfoto 2025-02-12 um 22.45.57\" loading=\"lazy\" role=\"img\"\/><\/figure><\/div>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"give_campaign_id":0,"_uag_custom_page_level_css":"","footnotes":""},"class_list":["post-420","page","type-page","status-publish","hentry"],"campaignId":"","uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"trp-custom-language-flag":false,"depicter-thumbnail":false,"post-thumbnail":false,"scapeshot-single-post-page":false,"scapeshot-slider":false,"scapeshot-featured":false,"scapeshot-team":false,"scapeshot-logo-slider":false,"scapeshot-portfolio":false,"scapeshot-service":false},"uagb_author_info":{"display_name":"yreshef@gmail.com","author_link":"https:\/\/berlinerklavierfesttage.com\/de\/author\/yreshefgmail-com"},"uagb_comment_info":0,"uagb_excerpt":null,"_links":{"self":[{"href":"https:\/\/berlinerklavierfesttage.com\/de\/wp-json\/wp\/v2\/pages\/420","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/berlinerklavierfesttage.com\/de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/berlinerklavierfesttage.com\/de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/berlinerklavierfesttage.com\/de\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/berlinerklavierfesttage.com\/de\/wp-json\/wp\/v2\/comments?post=420"}],"version-history":[{"count":1,"href":"https:\/\/berlinerklavierfesttage.com\/de\/wp-json\/wp\/v2\/pages\/420\/revisions"}],"predecessor-version":[{"id":421,"href":"https:\/\/berlinerklavierfesttage.com\/de\/wp-json\/wp\/v2\/pages\/420\/revisions\/421"}],"wp:attachment":[{"href":"https:\/\/berlinerklavierfesttage.com\/de\/wp-json\/wp\/v2\/media?parent=420"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}